“Slightly different from his previous album, Milosh often refers to his tracks as dairy entries, formed from intimate strings of personal experiences that have found their way to Rhye’s creative yield. Not only has he made a name for himself as a musician, but from a young age, he has always had a strong pull towards the art of cinematography and photography. He has actually designed the album's cover by overlapping mountainous landscapes with graceful women figures in the wind and has helped direct short films. His desire for creativity does not stop with his tender lyricism, it goes far beyond.”
“Rosie Evans, a Welsh designer, now residing in Brighton, is breathing new life into genderless corsets and revitalising the previously negative historical context behind bodices. Corsets, since the fifteen and sixteen hundreds have always been kind of a ‘taboo’ subject, from the dangers of tight lacing, classism, sexism and a whole litany of health problems from posture to poor digestion. Women then and now are being told what to wear. But, Rosie Evans leaves behind any historical notions of corsets as oppressive.”