As a confused but bright-eyed fifth grader, I was carefree and wild, mostly concerned with three things: attaching neon feathers to my hair, moving my body to the newest pop hits, and contemplating which ecosystem to unearth in my backyard. Then my mom told me she was in love with another woman. We had never spoken about her dating life or sexuality following the turbulent years with my father, but they were never married nor lived together, so separation was almost unnoticeable from the start. My mom told me, “I am in love with this person, and she just happens to be a woman.” I must have known the truth somewhere deep inside, because I remember that my cheerful knee-jerk response was, “I knew it.” As a 10-year-old, I didn’t feel the need to question her. I trusted my mom’s decision in choosing whom to love. To me, it didn’t matter, but to the world, it seemed to matter a whole lot. And since that day, my heart has yearned for a world where love is freely chosen and bestowed.
“His new exhibition titled Dark Uncles goes beyond fashion and ascends to a world of slightly absurd yet beautifully hand-crafted art. Klaas Rommelaere, born 1986 in Roeselare and living in Antwerp, creates intricately embroidered tapestries and hand-stitched, free-standing sculptures to tell the tales of his lived experience. The artist graduated in 2013 from KASK Ghent from the fashion department and dedicates himself to textile sculpture.”