“Slightly different from his previous album, Milosh often refers to his tracks as dairy entries, formed from intimate strings of personal experiences that have found their way to Rhye’s creative yield. Not only has he made a name for himself as a musician, but from a young age, he has always had a strong pull towards the art of cinematography and photography. He has actually designed the album's cover by overlapping mountainous landscapes with graceful women figures in the wind and has helped direct short films. His desire for creativity does not stop with his tender lyricism, it goes far beyond.”
“Her photography visualises the city as a rhythm that we come to be part of, once our feet step onto the concrete streets. The humming buzz of the traffic mingled with the bustling murmuring of people conversing on their way to work. Our metropolitan is composed of strangers and familiar objects: the ubiquitous pavement, a slightly bent street pole, a bright orange construction cone, or a abandoned rusty bike. They all seem trivial and significant at the same time.”