“...Swansea’s paintings intricately twist and turn the paradoxical nature between location and dislocation, realism and dream, abstraction and representation. Her largely printed canvases tell a story of urban mastery, ‘slow painting’ and the humble boundaries of romantic mirages that investigate multitudinous ways to capture moments in time as they move swiftly into past time, with a hint of film-like qualities.”
“Slightly different from his previous album, Milosh often refers to his tracks as dairy entries, formed from intimate strings of personal experiences that have found their way to Rhye’s creative yield. Not only has he made a name for himself as a musician, but from a young age, he has always had a strong pull towards the art of cinematography and photography. He has actually designed the album's cover by overlapping mountainous landscapes with graceful women figures in the wind and has helped direct short films. His desire for creativity does not stop with his tender lyricism, it goes far beyond.”