As a confused but bright-eyed fifth grader, I was carefree and wild, mostly concerned with three things: attaching neon feathers to my hair, moving my body to the newest pop hits, and contemplating which ecosystem to unearth in my backyard. Then my mom told me she was in love with another woman. We had never spoken about her dating life or sexuality following the turbulent years with my father, but they were never married nor lived together, so separation was almost unnoticeable from the start. My mom told me, “I am in love with this person, and she just happens to be a woman.” I must have known the truth somewhere deep inside, because I remember that my cheerful knee-jerk response was, “I knew it.” As a 10-year-old, I didn’t feel the need to question her. I trusted my mom’s decision in choosing whom to love. To me, it didn’t matter, but to the world, it seemed to matter a whole lot. And since that day, my heart has yearned for a world where love is freely chosen and bestowed.
Joy is a complex and multifaceted concept that has been the subject of philosophical inquiry for centuries. At its core, joy is an emotional state characterized by a sense of elation, pleasure, and contentment. But it is more than just a fleeting feeling. Born in the year 1962 in the bustling city ofDaqing, China, Yue Minjun’s fascination with art had been a constant in his life following him through the turbulent waters of revolutionary China. It was the human rights violations and political repressions he faced during his upbringing that truly shaped his relationship with the medium and its power to truly, and comically, convey his lived experience.